{ "schema_version": "1.0.0", "record_kind": "discovery-work", "id": "sl:scripture:modern-authors.xlj-w027", "work_id": "XLJ-W027", "slug": "XLJ-W027", "title": "《絃外音》／《弦外音》", "author": "夏蓮居", "language": "zh-Hant", "type": "modern-work", "collection": { "code": "MA", "name": "夏蓮居", "source_name": "近代大德", "kind": "author-collection" }, "identifiers": { "scripture_id": "sl:scripture:modern-authors.xlj-w027", "source_work_id": "XLJ-W027", "collection_code": "MA" }, "canonical_url": "https://zangjing.org/masters/xialianju/XLJ-W027", "urls": { "data": "/data/works/XLJ-W027.json", "html": "/masters/xialianju/XLJ-W027.html", "text": "/text/works/XLJ-W027.txt", "reader": "/masters/xialianju/XLJ-W027", "author": "/masters/xialianju.html" }, "source": { "reader_release_id": "modern-authors-reader-v11", "gold_release_id": "modern-authors-gold-v1", "source_gold_index": { "path": "manifests/sources/modern-authors/gold-index.json", "sha256": "b564994fec0ba1c138be9fcedce792511aa0c07c743e540bd0aee50308000054" }, "registry_entry": { "work_id": "XLJ-W027", "scripture_id": "sl:scripture:modern-authors.xlj-w027", "collection_code": "MA", "source_title": "《絃外音》／《弦外音》", "category": { "id": "shici", "label": "詩詞與文藝", "ordinal": 4 }, "divisions": 34, "chunks": 34, "page_map": { "path": "works/XLJ-W027/page-map.json", "bytes": 22902, "sha256": "4f051d013bdb2487212e06841730aa7c8f3a99d7dd9765c24d465c9c52737b57", "blocks": 122, "measured": 103, "estimated": 19, "by_source": { "model-estimate": 19, "ocr-aligned": 103 }, "omitted": 0 } }, "metadata_sha256": "9eebc7b9c7ffc2d901904987d29c49e1e94b5f343315445ec3f4df29744b4046" }, "sections": [ { "id": "sl:division:v2.5a2bc619dd3b10c1ac53069c43368fafdddc2f5a38f9820aafbe10970283745c", "ordinal": 1, "title": "弦外音", "type": "節", "text": "弦外音\n（關於琴學諸作）", "groups": [ { "type": "正文", "text": "\n弦外音\n（關於琴學諸作）", "block_ids": [ "sl:passage:v2.5a2bc619dd3b10c1ac53069c43368fafdddc2f5a38f9820aafbe10970283745c:block:1", "sl:passage:v2.5a2bc619dd3b10c1ac53069c43368fafdddc2f5a38f9820aafbe10970283745c:block:2" ] } ] }, { "id": "sl:division:v2.2cc24d367964ed5ead4863b832bfc9ed91e7cb1ed994715d48d57992b3442315", "ordinal": 2, "title": "中和引", "type": "節", "text": "中和引\n（自作曲，兼制譜，宮調徵音，商調徵音，夾鍾蕤賓皆可彈）\n中華人民共和國愛好和平，故名中和引。\n太古音，首推琴，祖國最早遺珍，四千年前直到今。聲和雅，理淵深，感物宣情益身心，高度文化水準。要須溫故兼知新，方能得其真。聊借弦徽表精神，歌頌向人民。", "groups": [ { "type": "正文", "text": "\n中和引\n（自作曲，兼制譜，宮調徵音，商調徵音，夾鍾蕤賓皆可彈）\n中華人民共和國愛好和平，故名中和引。\n太古音，首推琴，祖國最早遺珍，四千年前直到今。聲和雅，理淵深，感物宣情益身心，高度文化水準。要須溫故兼知新，方能得其真。聊借弦徽表精神，歌頌向人民。", "block_ids": [ "sl:passage:v2.2cc24d367964ed5ead4863b832bfc9ed91e7cb1ed994715d48d57992b3442315:block:1", "sl:passage:v2.2cc24d367964ed5ead4863b832bfc9ed91e7cb1ed994715d48d57992b3442315:block:2", "sl:passage:v2.2cc24d367964ed5ead4863b832bfc9ed91e7cb1ed994715d48d57992b3442315:block:3", "sl:passage:v2.2cc24d367964ed5ead4863b832bfc9ed91e7cb1ed994715d48d57992b3442315:block:4" ] } ] }, { "id": "sl:division:v2.270ac99d3f48b737f754c78f67716889f6e924eb95ee6972936e052bed82aed6", "ordinal": 3, "title": "尾聲", "type": "節", "text": "尾聲\n中華人民，愛好和平。中和引的音聲，是和平的象徵，也就是古琴的介紹與說明。", "groups": [ { "type": "正文", "text": "\n尾聲\n中華人民，愛好和平。中和引的音聲，是和平的象徵，也就是古琴的介紹與說明。", "block_ids": [ "sl:passage:v2.270ac99d3f48b737f754c78f67716889f6e924eb95ee6972936e052bed82aed6:block:1", "sl:passage:v2.270ac99d3f48b737f754c78f67716889f6e924eb95ee6972936e052bed82aed6:block:2" ] } ] }, { "id": "sl:division:v2.f0b74e85103bd290d2855c27d941b0f29ab655a854de8e3e197bd62b76c36465", "ordinal": 4, "title": "隋逸士李疑制連珠式萬壑松風琴（八首）", "type": "節", "text": "隋逸士李疑制連珠式萬壑松風琴（八首）\n隋逸士李疑，爲琴學大家，曾制有《竹吟風》、《哀松露》、《子規》、《山樂》等琴譜。唐宋至今所傳之連珠式，即其首創者。餘所藏之萬壑松風琴，爲疑所制。龍池系圓形，池內右側刻有“隋逸士李疑造”，左側題“乾隆庚戌皇十一子重修”，池外有“黃南道人藏古”與“益王之寶”兩印。其餘題跋，已爲重修時磨去矣。琴名篆書四大字，在兩雁足之間，不知者目爲倒書，實則此乃正書，猶存古法。琴之制度，象徵天圓地方。琴掛壁間，則“萬壑松風”四字，由上讀下。世傳琴名自以爲正，及至掛於壁上，則字字皆倒，乃知古人制作皆具深意。而少見多怪者，往往以不狂爲狂，沿訛襲謬，何勝慨嘆！六十餘年，所見名琴以數千計。李氏遺制，不但未見，亦未曾聞有第二張也。其音聲之佳，九德俱備，庶幾乎曠代之珍矣。率題八\n絕，以志奇遇。\n久厭凡桐不願彈，宵來逸響透禪關。奇哉三尺蒼鱗魄，能引松風萬壑寒。\n事肯窮源即近禪，聽松觀瀑古能仙。沉思獨往通靈候，不在指兮不在弦。\n九德三奇壓宋唐，流傳曾歷兩名王。開皇遺制連珠祖，漢後論琴第一張。\n冰紋虹影燦瑤光，式雅材良潤且蒼。不必聞聲神已爽，嘉名錫汝號琴皇。\n金聲玉振葉宮商，月朗風清韻獨長。懶向高山問流水，燃香欲譜鼓音王。", "groups": [ { "type": "正文", "text": "\n隋逸士李疑制連珠式萬壑松風琴（八首）\n隋逸士李疑，爲琴學大家，曾制有《竹吟風》、《哀松露》、《子規》、《山樂》等琴譜。唐宋至今所傳之連珠式，即其首創者。餘所藏之萬壑松風琴，爲疑所制。龍池系圓形，池內右側刻有“隋逸士李疑造”，左側題“乾隆庚戌皇十一子重修”，池外有“黃南道人藏古”與“益王之寶”兩印。其餘題跋，已爲重修時磨去矣。琴名篆書四大字，在兩雁足之間，不知者目爲倒書，實則此乃正書，猶存古法。琴之制度，象徵天圓地方。琴掛壁間，則“萬壑松風”四字，由上讀下。世傳琴名自以爲正，及至掛於壁上，則字字皆倒，乃知古人制作皆具深意。而少見多怪者，往往以不狂爲狂，沿訛襲謬，何勝慨嘆！六十餘年，所見名琴以數千計。李氏遺制，不但未見，亦未曾聞有第二張也。其音聲之佳，九德俱備，庶幾乎曠代之珍矣。率題八\n絕，以志奇遇。\n久厭凡桐不願彈，宵來逸響透禪關。奇哉三尺蒼鱗魄，能引松風萬壑寒。\n事肯窮源即近禪，聽松觀瀑古能仙。沉思獨往通靈候，不在指兮不在弦。\n九德三奇壓宋唐，流傳曾歷兩名王。開皇遺制連珠祖，漢後論琴第一張。\n冰紋虹影燦瑤光，式雅材良潤且蒼。不必聞聲神已爽，嘉名錫汝號琴皇。\n金聲玉振葉宮商，月朗風清韻獨長。懶向高山問流水，燃香欲譜鼓音王。", "block_ids": [ "sl:passage:v2.f0b74e85103bd290d2855c27d941b0f29ab655a854de8e3e197bd62b76c36465:block:1", "sl:passage:v2.f0b74e85103bd290d2855c27d941b0f29ab655a854de8e3e197bd62b76c36465:block:2", "sl:passage:v2.f0b74e85103bd290d2855c27d941b0f29ab655a854de8e3e197bd62b76c36465:block:3", "sl:passage:v2.f0b74e85103bd290d2855c27d941b0f29ab655a854de8e3e197bd62b76c36465:block:4", "sl:passage:v2.f0b74e85103bd290d2855c27d941b0f29ab655a854de8e3e197bd62b76c36465:block:5", "sl:passage:v2.f0b74e85103bd290d2855c27d941b0f29ab655a854de8e3e197bd62b76c36465:block:6", "sl:passage:v2.f0b74e85103bd290d2855c27d941b0f29ab655a854de8e3e197bd62b76c36465:block:7", "sl:passage:v2.f0b74e85103bd290d2855c27d941b0f29ab655a854de8e3e197bd62b76c36465:block:8" ] } ] }, { "id": "sl:division:v2.19dc43688efc8894cc54b4273d210d78262c1c864ec5f08f5f51edde5f0d16fe", "ordinal": 5, "title": "餘意未盡，再題三絕", "type": "節", "text": "餘意未盡，再題三絕\n操縵安弦人盡能，移情海上果誰曾。臞仙老去元音歇，留待蓮翁拄指聽。\n宋唐斲已如星鳳，宇內隋琴此倖存。恥共滄桑變音節，無情亦自有靈根。\n此方教體在音聞，欲證圓通借耳根。本是心聲託物顯，箇中機感向誰論。", "groups": [ { "type": "正文", "text": "\n餘意未盡，再題三絕\n操縵安弦人盡能，移情海上果誰曾。臞仙老去元音歇，留待蓮翁拄指聽。\n宋唐斲已如星鳳，宇內隋琴此倖存。恥共滄桑變音節，無情亦自有靈根。\n此方教體在音聞，欲證圓通借耳根。本是心聲託物顯，箇中機感向誰論。", "block_ids": [ "sl:passage:v2.19dc43688efc8894cc54b4273d210d78262c1c864ec5f08f5f51edde5f0d16fe:block:1", "sl:passage:v2.19dc43688efc8894cc54b4273d210d78262c1c864ec5f08f5f51edde5f0d16fe:block:2", "sl:passage:v2.19dc43688efc8894cc54b4273d210d78262c1c864ec5f08f5f51edde5f0d16fe:block:3", "sl:passage:v2.19dc43688efc8894cc54b4273d210d78262c1c864ec5f08f5f51edde5f0d16fe:block:4" ] } ] }, { "id": "sl:division:v2.5de2f3434ca8fd215226d2bf3fc437b8bf391a2fa076bc0afa484bb6a49b1a77", "ordinal": 6, "title": "題猿嘯青蘿琴", "type": "節", "text": "題猿嘯青蘿琴\n丙寅歲暮，歸自東瀛。大風雪，阻舟遼島。層冰市聲外無見聞，居停左一廛，市古物，物率膺，獨一琴環異照眼，嶽齦軫足皆玉。諦審形制，蓋唐以前物也。詢之，云：“往貨客千金，持此償，十年無顧者，絀原值五之四售。醒”觸指淵宏，泯絕木絲之跡；渢渢乎，泠泠乎，而莫窮其際。攫之醒之，又如松風之度遙壑，冰玉之漱幽澗。真天籟之遺、九德之選也。生平閱唐、宋名斲可百數，以此例之，皆薪材耳。餘既得元王安道小青柯坪硯於平安城，復獲此，自慶多古緣。獨是環寶雅音，往往淪諸遐荒落莫之濱，豈物亦有避地而然者耶！小詩寄慨，遂銘其腹。\n繞指天風搖佩瓊，寒濤萬古漱滄溟。移情未覺成連遠，寥落何人隔海聽。", "groups": [ { "type": "正文", "text": "\n題猿嘯青蘿琴\n丙寅歲暮，歸自東瀛。大風雪，阻舟遼島。層冰市聲外無見聞，居停左一廛，市古物，物率膺，獨一琴環異照眼，嶽齦軫足皆玉。諦審形制，蓋唐以前物也。詢之，云：“往貨客千金，持此償，十年無顧者，絀原值五之四售。醒”觸指淵宏，泯絕木絲之跡；渢渢乎，泠泠乎，而莫窮其際。攫之醒之，又如松風之度遙壑，冰玉之漱幽澗。真天籟之遺、九德之選也。生平閱唐、宋名斲可百數，以此例之，皆薪材耳。餘既得元王安道小青柯坪硯於平安城，復獲此，自慶多古緣。獨是環寶雅音，往往淪諸遐荒落莫之濱，豈物亦有避地而然者耶！小詩寄慨，遂銘其腹。\n繞指天風搖佩瓊，寒濤萬古漱滄溟。移情未覺成連遠，寥落何人隔海聽。", "block_ids": [ "sl:passage:v2.5de2f3434ca8fd215226d2bf3fc437b8bf391a2fa076bc0afa484bb6a49b1a77:block:1", "sl:passage:v2.5de2f3434ca8fd215226d2bf3fc437b8bf391a2fa076bc0afa484bb6a49b1a77:block:2", "sl:passage:v2.5de2f3434ca8fd215226d2bf3fc437b8bf391a2fa076bc0afa484bb6a49b1a77:block:3" ] } ] }, { "id": "sl:division:v2.e129dd06d9aecaaad0442d0cab5c7c7867c89aca5a95cd960486273d6b6d1d5d", "ordinal": 7, "title": "題宋內府藏唐貞觀五年虞伯施制太古遺音琴", "type": "節", "text": "題宋內府藏唐貞觀五年虞伯施制太古遺音琴\n萬琴堂中物，虞暉閣上彈。天風搖環佩，夜雨卷滄瀾。心緒傳枯木，生涯託古歡。元音誰共喻，庭際月光寒。", "groups": [ { "type": "正文", "text": "\n題宋內府藏唐貞觀五年虞伯施制太古遺音琴\n萬琴堂中物，虞暉閣上彈。天風搖環佩，夜雨卷滄瀾。心緒傳枯木，生涯託古歡。元音誰共喻，庭際月光寒。", "block_ids": [ "sl:passage:v2.e129dd06d9aecaaad0442d0cab5c7c7867c89aca5a95cd960486273d6b6d1d5d:block:1", "sl:passage:v2.e129dd06d9aecaaad0442d0cab5c7c7867c89aca5a95cd960486273d6b6d1d5d:block:2" ] } ] }, { "id": "sl:division:v2.9fa8dcacd1799d0bc9150865dd1ceb421cbe95849c35b116fb2965ba44461ff7", "ordinal": 8, "title": "題濱海蒼龍琴", "type": "節", "text": "題濱海蒼龍琴\n禪機久忘參枯木，音海無心遇蟄龍。\n一拂虛堂吞萬籟，頓教雷雨起晴空。", "groups": [ { "type": "正文", "text": "\n題濱海蒼龍琴\n禪機久忘參枯木，音海無心遇蟄龍。\n一拂虛堂吞萬籟，頓教雷雨起晴空。", "block_ids": [ "sl:passage:v2.9fa8dcacd1799d0bc9150865dd1ceb421cbe95849c35b116fb2965ba44461ff7:block:1", "sl:passage:v2.9fa8dcacd1799d0bc9150865dd1ceb421cbe95849c35b116fb2965ba44461ff7:block:2", "sl:passage:v2.9fa8dcacd1799d0bc9150865dd1ceb421cbe95849c35b116fb2965ba44461ff7:block:3" ] } ] }, { "id": "sl:division:v2.eb128ddfd46e59b0123fe923cb77fefa3eb54c334519bc27444180a053e6f83c", "ordinal": 9, "title": "題潞琴（有乾隆御題）", "type": "節", "text": "題潞琴（有乾隆御題）\n劣制庸材濫宋唐，琴林亦自有滄桑。潞藩三百今餘幾，飛鳥羣中孤鳳凰。\n良驥幾曾逢伯樂，爨桐何意遇中郎。賞音若是尋常事，今古無人詠董房。①\n名斲豔稱雷與張，幾人拄指驗宮商。奇音自足超凡響，不必清皇字數行。", "groups": [ { "type": "正文", "text": "\n題潞琴（有乾隆御題）\n劣制庸材濫宋唐，琴林亦自有滄桑。潞藩三百今餘幾，飛鳥羣中孤鳳凰。\n良驥幾曾逢伯樂，爨桐何意遇中郎。賞音若是尋常事，今古無人詠董房。①\n名斲豔稱雷與張，幾人拄指驗宮商。奇音自足超凡響，不必清皇字數行。", "block_ids": [ "sl:passage:v2.eb128ddfd46e59b0123fe923cb77fefa3eb54c334519bc27444180a053e6f83c:block:1", "sl:passage:v2.eb128ddfd46e59b0123fe923cb77fefa3eb54c334519bc27444180a053e6f83c:block:2", "sl:passage:v2.eb128ddfd46e59b0123fe923cb77fefa3eb54c334519bc27444180a053e6f83c:block:3", "sl:passage:v2.eb128ddfd46e59b0123fe923cb77fefa3eb54c334519bc27444180a053e6f83c:block:4" ] } ] }, { "id": "sl:division:v2.d46e82078524ba23790a85f65af5754c3374a5a84f9e3ee34586b8966288156c", "ordinal": 10, "title": "題迦陵琴", "type": "節", "text": "題迦陵琴\n音和韻雅號迦陵，誰向聞根證妙聲。此事求知元未易，都因聽慣琵琶箏。", "groups": [ { "type": "正文", "text": "\n題迦陵琴\n音和韻雅號迦陵，誰向聞根證妙聲。此事求知元未易，都因聽慣琵琶箏。", "block_ids": [ "sl:passage:v2.d46e82078524ba23790a85f65af5754c3374a5a84f9e3ee34586b8966288156c:block:1", "sl:passage:v2.d46e82078524ba23790a85f65af5754c3374a5a84f9e3ee34586b8966288156c:block:2" ] } ] }, { "id": "sl:division:v2.67d741cbd0f708bfec11f1e3a5fa5482a57a2f4182bb38b93bf816ef6252a277", "ordinal": 11, "title": "題銅琴（二首）", "type": "節", "text": "題銅琴（二首）\n老友九疑山人楊時百所藏申奇彩制銅琴第二號，音聲清越。時百極珍視之，題曰“仙籟”，曾見其所著《琴話》。不意四十年後，竟於長安市上獲，得申制銅琴第一號。九霄環佩，喜題二絕。②\n①董庭蘭房琯。\n②此琴已與餘手仿王僧虔琴，一併捐入鄆城博物館。\n湖湘舊侶憶琴楊，仙籟珍題第二張。今對天風鳴佩玉，阿誰伴我詠滄浪。\n魯國徽銅尚有鄰，秋堂忘味彼何人。奇音不伍孫登鐵，一任唐柴笑宋薪。", "groups": [ { "type": "正文", "text": "\n題銅琴（二首）\n老友九疑山人楊時百所藏申奇彩制銅琴第二號，音聲清越。時百極珍視之，題曰“仙籟”，曾見其所著《琴話》。不意四十年後，竟於長安市上獲，得申制銅琴第一號。九霄環佩，喜題二絕。②\n①董庭蘭房琯。\n②此琴已與餘手仿王僧虔琴，一併捐入鄆城博物館。\n湖湘舊侶憶琴楊，仙籟珍題第二張。今對天風鳴佩玉，阿誰伴我詠滄浪。\n魯國徽銅尚有鄰，秋堂忘味彼何人。奇音不伍孫登鐵，一任唐柴笑宋薪。", "block_ids": [ "sl:passage:v2.67d741cbd0f708bfec11f1e3a5fa5482a57a2f4182bb38b93bf816ef6252a277:block:1", "sl:passage:v2.67d741cbd0f708bfec11f1e3a5fa5482a57a2f4182bb38b93bf816ef6252a277:block:2", "sl:passage:v2.67d741cbd0f708bfec11f1e3a5fa5482a57a2f4182bb38b93bf816ef6252a277:block:3", "sl:passage:v2.67d741cbd0f708bfec11f1e3a5fa5482a57a2f4182bb38b93bf816ef6252a277:block:4", "sl:passage:v2.67d741cbd0f708bfec11f1e3a5fa5482a57a2f4182bb38b93bf816ef6252a277:block:5", "sl:passage:v2.67d741cbd0f708bfec11f1e3a5fa5482a57a2f4182bb38b93bf816ef6252a277:block:6" ] } ] }, { "id": "sl:division:v2.793373357532b5d84bee3320d5ff0d61ed52e2060956f65911059bd326e9d9b1", "ordinal": 12, "title": "題《名琴授受圖》（九首）", "type": "節", "text": "題《名琴授受圖》（九首）\n幽蘭、廣陵兩譜，四十年前，曾與王心夔共同研習，未能卒業。心夔已逝，餘亦憂患餘生，無志於此。平湖妙指天才，精力未衰。二十年前，曾囑其習此二曲，倘能有成，足爲琴林一大貢獻。今幸得完此任務，嘉其勤劬，慨以海外所得猿嘯、青蘿古琴爲贈，此琴爲平湖多年所想望而未能得者。平陸程寬子容，與平湖既爲琴友，於此事頗盡慫恿之力，並囑倩人，寫《名琴授受圖》，以志琴苑一段佳話。懇請題詩，喜賦九絕。\n萬里乘風破浪還，云崩海立雪漫漫。荒寒半島泊舟地，卻遇遺珍結古歡。①\n青蘿舊事記猶存，共說山猿解報恩。是漢是唐姑莫辯，元音字字澈靈根。②\n天風吹破海千層，瑤島誰敲雪夜冰。\n①丁卯仲冬，避風大連，得猿嘯青蘿琴。\n②仲景醫猿事。\n欲借音柯窺太始，非關絕調效樊棱。①\n古調幽蘭久絕彈，廣陵有譜亦徒然。勸君妙手翻音海，曾盼鍾期十五年。\n察理聆聲志竟成，千年遺響喜重賡。更將回憶訂新譜，曾約蓮翁注耳聽。\n畢竟錦標屬阿誰，指端綻破幾冰絲。今日賀君兼自慰，百花先放向陽枝。\n懷寶良難得賞音，王孫擲去抵千金。攜回卅載今相授，珍重成連海上心。②\n一拂虛堂萬籟沉，聞韶忘味古猶今。曲終鼓掌齊聲贊，絕藝人操曠代琴。\n三疊琴心祝太平，萬家歌舞慶完成。河山改造空前史，譜入弦暉作頌聲。③", "groups": [ { "type": "正文", "text": "\n題《名琴授受圖》（九首）\n幽蘭、廣陵兩譜，四十年前，曾與王心夔共同研習，未能卒業。心夔已逝，餘亦憂患餘生，無志於此。平湖妙指天才，精力未衰。二十年前，曾囑其習此二曲，倘能有成，足爲琴林一大貢獻。今幸得完此任務，嘉其勤劬，慨以海外所得猿嘯、青蘿古琴爲贈，此琴爲平湖多年所想望而未能得者。平陸程寬子容，與平湖既爲琴友，於此事頗盡慫恿之力，並囑倩人，寫《名琴授受圖》，以志琴苑一段佳話。懇請題詩，喜賦九絕。\n萬里乘風破浪還，云崩海立雪漫漫。荒寒半島泊舟地，卻遇遺珍結古歡。①\n青蘿舊事記猶存，共說山猿解報恩。是漢是唐姑莫辯，元音字字澈靈根。②\n天風吹破海千層，瑤島誰敲雪夜冰。\n①丁卯仲冬，避風大連，得猿嘯青蘿琴。\n②仲景醫猿事。\n欲借音柯窺太始，非關絕調效樊棱。①\n古調幽蘭久絕彈，廣陵有譜亦徒然。勸君妙手翻音海，曾盼鍾期十五年。\n察理聆聲志竟成，千年遺響喜重賡。更將回憶訂新譜，曾約蓮翁注耳聽。\n畢竟錦標屬阿誰，指端綻破幾冰絲。今日賀君兼自慰，百花先放向陽枝。\n懷寶良難得賞音，王孫擲去抵千金。攜回卅載今相授，珍重成連海上心。②\n一拂虛堂萬籟沉，聞韶忘味古猶今。曲終鼓掌齊聲贊，絕藝人操曠代琴。\n三疊琴心祝太平，萬家歌舞慶完成。河山改造空前史，譜入弦暉作頌聲。③", "block_ids": [ "sl:passage:v2.793373357532b5d84bee3320d5ff0d61ed52e2060956f65911059bd326e9d9b1:block:1", "sl:passage:v2.793373357532b5d84bee3320d5ff0d61ed52e2060956f65911059bd326e9d9b1:block:2", "sl:passage:v2.793373357532b5d84bee3320d5ff0d61ed52e2060956f65911059bd326e9d9b1:block:3", "sl:passage:v2.793373357532b5d84bee3320d5ff0d61ed52e2060956f65911059bd326e9d9b1:block:4", 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"sl:division:v2.beb0ad8167706df05b547ad72386c2adcace8df337445babce574d5c218dcdfd", "ordinal": 13, "title": "附：程寬詩四首", "type": "節", "text": "附：程寬詩四首\n平湖兄既得猿嘯青蘿，謹賦小詩爲賀。寬亦藏有唐貞觀二\n①吾鄆樊棱工詩、善琴，與王阮亭爲友，曾鼓天風海濤於蓬萊閣上。見《鄆城縣誌》及《漁洋集》，以上三首詠得琴。\n②此琴系滿清某親王售於大連某日商者。\n③以上六首詠授琴。\n年飛泉琴，均爲希有珍品。願與平湖同秉師訓，各以琴學共鳴互勉焉。\n立雪程門近廿年，忠誠兩字是薪傳。言行要與琴心合，願共同人各勉旃。\n靈猿猶不忘酬恩，枯木千年道義存。萬里攜歸脫手授，問君何以答師門。\n自顧庸庸無片長，寸衷亦自有宮商。歸期屢展緣何事，奔走爲琴忘故鄉。\n除夕登車午渡河，一年好景客中過。青蘿當日爲猿嘯，我把情懷託好歌。\n（平湖受琴兩年之後，因重加修制，發現琴腹內有“太康二年”字樣，始知此琴爲晉制。咸共歎服我師玄鑑精通，不亞於九方皋之相馬也。寬又注。）", "groups": [ { "type": "正文", "text": "\n附：程寬詩四首\n平湖兄既得猿嘯青蘿，謹賦小詩爲賀。寬亦藏有唐貞觀二\n①吾鄆樊棱工詩、善琴，與王阮亭爲友，曾鼓天風海濤於蓬萊閣上。見《鄆城縣誌》及《漁洋集》，以上三首詠得琴。\n②此琴系滿清某親王售於大連某日商者。\n③以上六首詠授琴。\n年飛泉琴，均爲希有珍品。願與平湖同秉師訓，各以琴學共鳴互勉焉。\n立雪程門近廿年，忠誠兩字是薪傳。言行要與琴心合，願共同人各勉旃。\n靈猿猶不忘酬恩，枯木千年道義存。萬里攜歸脫手授，問君何以答師門。\n自顧庸庸無片長，寸衷亦自有宮商。歸期屢展緣何事，奔走爲琴忘故鄉。\n除夕登車午渡河，一年好景客中過。青蘿當日爲猿嘯，我把情懷託好歌。\n（平湖受琴兩年之後，因重加修制，發現琴腹內有“太康二年”字樣，始知此琴爲晉制。咸共歎服我師玄鑑精通，不亞於九方皋之相馬也。寬又注。）", "block_ids": [ "sl:passage:v2.beb0ad8167706df05b547ad72386c2adcace8df337445babce574d5c218dcdfd:block:1", "sl:passage:v2.beb0ad8167706df05b547ad72386c2adcace8df337445babce574d5c218dcdfd:block:2", "sl:passage:v2.beb0ad8167706df05b547ad72386c2adcace8df337445babce574d5c218dcdfd:block:3", "sl:passage:v2.beb0ad8167706df05b547ad72386c2adcace8df337445babce574d5c218dcdfd:block:4", "sl:passage:v2.beb0ad8167706df05b547ad72386c2adcace8df337445babce574d5c218dcdfd:block:5", "sl:passage:v2.beb0ad8167706df05b547ad72386c2adcace8df337445babce574d5c218dcdfd:block:6", "sl:passage:v2.beb0ad8167706df05b547ad72386c2adcace8df337445babce574d5c218dcdfd:block:7", "sl:passage:v2.beb0ad8167706df05b547ad72386c2adcace8df337445babce574d5c218dcdfd:block:8", "sl:passage:v2.beb0ad8167706df05b547ad72386c2adcace8df337445babce574d5c218dcdfd:block:9", "sl:passage:v2.beb0ad8167706df05b547ad72386c2adcace8df337445babce574d5c218dcdfd:block:10", "sl:passage:v2.beb0ad8167706df05b547ad72386c2adcace8df337445babce574d5c218dcdfd:block:11" ] } ] }, { "id": "sl:division:v2.34b126e633f01074c7b7a355f50402007d221b6b0929d671cbe5d0d611530176", "ordinal": 14, "title": "吾友王心夔弟子詹生來問琴學，並乞彈一二曲，口占二絕", "type": "節", "text": "吾友王心夔弟子詹生來問琴學，並乞彈一二曲，口占二絕\n一拂虛堂萬籟沉，開軒對月寫疏襟。廣陵逸響傳何處，會到無聲詣轉深。\n感物宣情理最微，冰絲綻破洞玄機。\n頻年輟奏棘生指，忍痛爲君效一揮。①", "groups": [ { "type": "正文", "text": "\n吾友王心夔弟子詹生來問琴學，並乞彈一二曲，口占二絕\n一拂虛堂萬籟沉，開軒對月寫疏襟。廣陵逸響傳何處，會到無聲詣轉深。\n感物宣情理最微，冰絲綻破洞玄機。\n頻年輟奏棘生指，忍痛爲君效一揮。①", "block_ids": [ "sl:passage:v2.34b126e633f01074c7b7a355f50402007d221b6b0929d671cbe5d0d611530176:block:1", "sl:passage:v2.34b126e633f01074c7b7a355f50402007d221b6b0929d671cbe5d0d611530176:block:2", "sl:passage:v2.34b126e633f01074c7b7a355f50402007d221b6b0929d671cbe5d0d611530176:block:3", "sl:passage:v2.34b126e633f01074c7b7a355f50402007d221b6b0929d671cbe5d0d611530176:block:4" ] } ] }, { "id": "sl:division:v2.3fd6001185fe3b4000fb063876d75cd0f96a8f952d3f6c0f6561c29566293b29", "ordinal": 15, "title": "琴興", "type": "節", "text": "琴興\n十年飽看明湖月，寂寞深秋臥獨遲。一曲平沙琴罷弄，遙天風起雁來時。", "groups": [ { "type": "正文", "text": "\n琴興\n十年飽看明湖月，寂寞深秋臥獨遲。一曲平沙琴罷弄，遙天風起雁來時。", "block_ids": [ "sl:passage:v2.3fd6001185fe3b4000fb063876d75cd0f96a8f952d3f6c0f6561c29566293b29:block:1", "sl:passage:v2.3fd6001185fe3b4000fb063876d75cd0f96a8f952d3f6c0f6561c29566293b29:block:2" ] } ] }, { "id": "sl:division:v2.baa7a84367563490e15c20e93347bd03e7d2d6226ea3ab9166ac5118b7eaad64", "ordinal": 16, "title": "逸響", "type": "節", "text": "逸響\n恥與繁囂竟，銷沉幾許年。霜宵鳴韻磬，松籟漱寒泉。逸響終難閟，元音未易傳。鍾期如有待，拄指憶襄連。", "groups": [ { "type": "正文", "text": "\n逸響\n恥與繁囂竟，銷沉幾許年。霜宵鳴韻磬，松籟漱寒泉。逸響終難閟，元音未易傳。鍾期如有待，拄指憶襄連。", "block_ids": [ "sl:passage:v2.baa7a84367563490e15c20e93347bd03e7d2d6226ea3ab9166ac5118b7eaad64:block:1", "sl:passage:v2.baa7a84367563490e15c20e93347bd03e7d2d6226ea3ab9166ac5118b7eaad64:block:2" ] } ] }, { "id": "sl:division:v2.07964574db1090bcfe961f6305884ea9dfea26b70f35017cfee544be7ed1a7aa", "ordinal": 17, "title": "風入松辭（重校古譜兼自制曲）", "type": "節", "text": "風入松辭（重校古譜兼自制曲）\n西來風送一天秋，吹遍庭松聲颼飗。援琴獨坐弄成曲，寫得松間聲斷續。聲斷續，趣何深，疊疊流泉透遠林。一彈再鼓月明裏，收取天籟歸腕底。空際松濤指下弦，聽久自能忘悲喜。雲淡淡，月沉沉，聲希調古淨客心。蕭蓼琤琮低復昂，渺渺孤懷秋夜長。望成連兮何處（疑缺字），月華琴韻繞空堂。\n①時，心夔已逝。", "groups": [ { "type": "正文", "text": "\n風入松辭（重校古譜兼自制曲）\n西來風送一天秋，吹遍庭松聲颼飗。援琴獨坐弄成曲，寫得松間聲斷續。聲斷續，趣何深，疊疊流泉透遠林。一彈再鼓月明裏，收取天籟歸腕底。空際松濤指下弦，聽久自能忘悲喜。雲淡淡，月沉沉，聲希調古淨客心。蕭蓼琤琮低復昂，渺渺孤懷秋夜長。望成連兮何處（疑缺字），月華琴韻繞空堂。\n①時，心夔已逝。", "block_ids": [ "sl:passage:v2.07964574db1090bcfe961f6305884ea9dfea26b70f35017cfee544be7ed1a7aa:block:1", "sl:passage:v2.07964574db1090bcfe961f6305884ea9dfea26b70f35017cfee544be7ed1a7aa:block:2", "sl:passage:v2.07964574db1090bcfe961f6305884ea9dfea26b70f35017cfee544be7ed1a7aa:block:3" ] } ] }, { "id": "sl:division:v2.8d7d96e4779d3a97ebce0e729db0578ee3b107a3309dd9f3192640765ead4bbd", "ordinal": 18, "title": "圓音琴銘（並序）", "type": "節", "text": "圓音琴銘（並序）\n丙辰春，獲此於武昌黃鶴樓畔。軫縵不施，徽漆半脫，梅花紋隱約可辨，非近代制也。略事修治，聲響粲發，春雷寒玉，未有以尚。置諸雲護讀書樓中，當爲九琴之殿。嗟乎！中郎不作，異材久淪。俊物非無，真賞安遇！對此朗然清圓之品，足滌塵慮，何必萬壑松綠綺臺哉！清淨在音聞，吾其從耳根修習乎。銘曰：\n太古音，達理定。霜月鍾，空山磬。萬斛泉，挹莫罄。聽以心，靜中證。邪思嚴，道機勝。天人通，物我應。禮則和，詩可興。志學者，此取徑。", "groups": [ { "type": "正文", "text": "\n圓音琴銘（並序）\n丙辰春，獲此於武昌黃鶴樓畔。軫縵不施，徽漆半脫，梅花紋隱約可辨，非近代制也。略事修治，聲響粲發，春雷寒玉，未有以尚。置諸雲護讀書樓中，當爲九琴之殿。嗟乎！中郎不作，異材久淪。俊物非無，真賞安遇！對此朗然清圓之品，足滌塵慮，何必萬壑松綠綺臺哉！清淨在音聞，吾其從耳根修習乎。銘曰：\n太古音，達理定。霜月鍾，空山磬。萬斛泉，挹莫罄。聽以心，靜中證。邪思嚴，道機勝。天人通，物我應。禮則和，詩可興。志學者，此取徑。", "block_ids": [ "sl:passage:v2.8d7d96e4779d3a97ebce0e729db0578ee3b107a3309dd9f3192640765ead4bbd:block:1", "sl:passage:v2.8d7d96e4779d3a97ebce0e729db0578ee3b107a3309dd9f3192640765ead4bbd:block:2", "sl:passage:v2.8d7d96e4779d3a97ebce0e729db0578ee3b107a3309dd9f3192640765ead4bbd:block:3" ] } ] }, { "id": "sl:division:v2.5eb1702f7b2dc2677728c70f8a9c236986e9f8285a0f92b4d6c5847d67e67a77", "ordinal": 19, "title": "清純琴銘", "type": "節", "text": "清純琴銘\n琴，夏氏制也。過大梁得諸逆旅，喜而銘之曰：\n乾隆庚申，實始造此。更百九十有六年，復歸夏氏。雖滄桑飽經，而文質完美，亦云幸矣。理有循環，物本無心。世變推移，大都爾爾。初易足異，而雅器之還遭乎偶然，若或有使，豈恥爲靡曼之音！不洽夫箏笛之耳，抑或欲一寂而靜衆囂。閟響勿發，如將有俟。而玄賞終希，悵焉返止。顧何以扣宮應徵，商羽遞起。清純之性，冷然猶昔。愔愔繞指，松籟泉鳴，依稀與似。嗚乎一器之微，歷久不渝有如是夫，觀於物而人可鑑已。三春風恬，九天月霽。韻鼓中和，思嚴邪侈。藝與\n道通，默以心契。視聽言動，敢不益勵。銘刻此詞，垂詔奕世。共寶家聲，德音永繼。", "groups": [ { "type": "正文", "text": "\n清純琴銘\n琴，夏氏制也。過大梁得諸逆旅，喜而銘之曰：\n乾隆庚申，實始造此。更百九十有六年，復歸夏氏。雖滄桑飽經，而文質完美，亦云幸矣。理有循環，物本無心。世變推移，大都爾爾。初易足異，而雅器之還遭乎偶然，若或有使，豈恥爲靡曼之音！不洽夫箏笛之耳，抑或欲一寂而靜衆囂。閟響勿發，如將有俟。而玄賞終希，悵焉返止。顧何以扣宮應徵，商羽遞起。清純之性，冷然猶昔。愔愔繞指，松籟泉鳴，依稀與似。嗚乎一器之微，歷久不渝有如是夫，觀於物而人可鑑已。三春風恬，九天月霽。韻鼓中和，思嚴邪侈。藝與\n道通，默以心契。視聽言動，敢不益勵。銘刻此詞，垂詔奕世。共寶家聲，德音永繼。", "block_ids": [ "sl:passage:v2.5eb1702f7b2dc2677728c70f8a9c236986e9f8285a0f92b4d6c5847d67e67a77:block:1", "sl:passage:v2.5eb1702f7b2dc2677728c70f8a9c236986e9f8285a0f92b4d6c5847d67e67a77:block:2", "sl:passage:v2.5eb1702f7b2dc2677728c70f8a9c236986e9f8285a0f92b4d6c5847d67e67a77:block:3", "sl:passage:v2.5eb1702f7b2dc2677728c70f8a9c236986e9f8285a0f92b4d6c5847d67e67a77:block:4" ] } ] }, { "id": "sl:division:v2.65d744d1b2b53a82cf6459ae039e672a4b482fd0640b453825e5005e78dedd8d", "ordinal": 20, "title": "天風海濤宋琴銘", "type": "節", "text": "天風海濤宋琴銘\n避地海外遊，兩年唯爾伴。歷盡風濤險，元音終不變。", "groups": [ { "type": "正文", "text": "\n天風海濤宋琴銘\n避地海外遊，兩年唯爾伴。歷盡風濤險，元音終不變。", "block_ids": [ "sl:passage:v2.65d744d1b2b53a82cf6459ae039e672a4b482fd0640b453825e5005e78dedd8d:block:1", "sl:passage:v2.65d744d1b2b53a82cf6459ae039e672a4b482fd0640b453825e5005e78dedd8d:block:2" ] } ] }, { "id": "sl:division:v2.eeb0a968ce2a9d790dae3d0f511ab03015f500695193fef4f0879716ba1a759b", "ordinal": 21, "title": "唐雷威制遏雲琴銘", "type": "節", "text": "唐雷威制遏雲琴銘\n九雷之英，玉振金聲。託彼逸響，寫我性靈。", "groups": [ { "type": "正文", "text": "\n唐雷威制遏雲琴銘\n九雷之英，玉振金聲。託彼逸響，寫我性靈。", "block_ids": [ "sl:passage:v2.eeb0a968ce2a9d790dae3d0f511ab03015f500695193fef4f0879716ba1a759b:block:1", "sl:passage:v2.eeb0a968ce2a9d790dae3d0f511ab03015f500695193fef4f0879716ba1a759b:block:2" ] } ] }, { "id": "sl:division:v2.81c2f674d42fc9ebec34aba3194c599e575024fdb0a5e2c994345b18b78a17e5", "ordinal": 22, "title": "靈發琴銘", "type": "節", "text": "靈發琴銘\n制瑋材異，聲稱其形。唐柳元趙，莫之與京。吟龍唳鶴，鐵馬春鶯。功深力到，妙響乃生。陶性導和，感物宣情。銘人合發，沉着空靈。耳根清淨，心地開明。是迦陵音，孰解真聽。", "groups": [ { "type": "正文", "text": "\n靈發琴銘\n制瑋材異，聲稱其形。唐柳元趙，莫之與京。吟龍唳鶴，鐵馬春鶯。功深力到，妙響乃生。陶性導和，感物宣情。銘人合發，沉着空靈。耳根清淨，心地開明。是迦陵音，孰解真聽。", "block_ids": [ "sl:passage:v2.81c2f674d42fc9ebec34aba3194c599e575024fdb0a5e2c994345b18b78a17e5:block:1", "sl:passage:v2.81c2f674d42fc9ebec34aba3194c599e575024fdb0a5e2c994345b18b78a17e5:block:2" ] } ] }, { "id": "sl:division:v2.f9b7f66f151543f00c55c03e59898d91535134a0c0793f69d6014a1631139d16", "ordinal": 23, "title": "王心葵所贈二琴銘", "type": "節", "text": "王心葵所贈二琴銘\n淳德內弘，朗徹物表。鶴唳晴霄，月臨秋沼。機泯天人，理洞幽杳。落落元音，不求共曉。（一）\n漸發發，水澌澌，蓬萊閣下聽濤時。望成連兮不見，渺渺孤懷屬爾知。（二）", "groups": [ { "type": "正文", "text": "\n王心葵所贈二琴銘\n淳德內弘，朗徹物表。鶴唳晴霄，月臨秋沼。機泯天人，理洞幽杳。落落元音，不求共曉。（一）\n漸發發，水澌澌，蓬萊閣下聽濤時。望成連兮不見，渺渺孤懷屬爾知。（二）", "block_ids": [ "sl:passage:v2.f9b7f66f151543f00c55c03e59898d91535134a0c0793f69d6014a1631139d16:block:1", "sl:passage:v2.f9b7f66f151543f00c55c03e59898d91535134a0c0793f69d6014a1631139d16:block:2", "sl:passage:v2.f9b7f66f151543f00c55c03e59898d91535134a0c0793f69d6014a1631139d16:block:3" ] } ] }, { "id": "sl:division:v2.732cd6e0ec707d7dd1b8af1ea2f4186d3fa430d19dbc1f48d26ef1372288b36f", "ordinal": 24, "title": "新斲二琴銘", "type": "節", "text": "新斲二琴銘\n春風搖蕙草，秋月滿華池。讀謝元暉詩嘗意象而彷彿之。不謂此景見於斯，嗟嗟王生術何奇。（一）\n絲與木也，叩之淵淵而丁丁也，繹之嚶嚶而鏗鏗也。繄誰之斲而儷此桐梓之英耶！聽者每疑爲泗濱之磬，相諧乎雲和之笙也。噫！簫韶之淪抑久矣，而南風九夏之曲孰與賡耶！豈天以錫餘兮，故假手乎友生耶，俾以佐吾補樂經也。（二）", "groups": [ { "type": "正文", "text": "\n新斲二琴銘\n春風搖蕙草，秋月滿華池。讀謝元暉詩嘗意象而彷彿之。不謂此景見於斯，嗟嗟王生術何奇。（一）\n絲與木也，叩之淵淵而丁丁也，繹之嚶嚶而鏗鏗也。繄誰之斲而儷此桐梓之英耶！聽者每疑爲泗濱之磬，相諧乎雲和之笙也。噫！簫韶之淪抑久矣，而南風九夏之曲孰與賡耶！豈天以錫餘兮，故假手乎友生耶，俾以佐吾補樂經也。（二）", "block_ids": [ "sl:passage:v2.732cd6e0ec707d7dd1b8af1ea2f4186d3fa430d19dbc1f48d26ef1372288b36f:block:1", "sl:passage:v2.732cd6e0ec707d7dd1b8af1ea2f4186d3fa430d19dbc1f48d26ef1372288b36f:block:2", "sl:passage:v2.732cd6e0ec707d7dd1b8af1ea2f4186d3fa430d19dbc1f48d26ef1372288b36f:block:3" ] } ] }, { "id": "sl:division:v2.c28529c6c00f1b98df044ad3a2ed2003a29267610f533505f22788436ea90d70", "ordinal": 25, "title": "清淵琴銘", "type": "節", "text": "清淵琴銘\n朗然而圓，淵然而清，材品如此，胡竟無名。是肥遁之居貞，豈太上之忘情，問誰可與作共鳴？", "groups": [ { "type": "正文", "text": "\n清淵琴銘\n朗然而圓，淵然而清，材品如此，胡竟無名。是肥遁之居貞，豈太上之忘情，問誰可與作共鳴？", "block_ids": [ "sl:passage:v2.c28529c6c00f1b98df044ad3a2ed2003a29267610f533505f22788436ea90d70:block:1", "sl:passage:v2.c28529c6c00f1b98df044ad3a2ed2003a29267610f533505f22788436ea90d70:block:2" ] } ] }, { "id": "sl:division:v2.ba2728182a4550fb7213aa77942fe08de569830b5018e0b6d7e90e42fa7df447", "ordinal": 26, "title": "談琴五則", "type": "節", "text": "談琴五則", "groups": [ { "type": "正文", "text": "\n談琴五則", "block_ids": [ "sl:passage:v2.ba2728182a4550fb7213aa77942fe08de569830b5018e0b6d7e90e42fa7df447:block:1" ] } ] }, { "id": "sl:division:v2.0ef422b843de5870348e2581c4da428c9bfd48fa652f283eec4d98cb17495b53", "ordinal": 27, "title": "一、凌虛引（宮調三段）", "type": "節", "text": "一、凌虛引（宮調三段）\n宋毛仲翁所作，原本無詞。明人刻詞支離，與譜不稱。唯《聽真軒重校本》，尚爲雅正。金溪周氏云：“此曲寄興高遠，不落凡近，元音奧節，時出意表。良宵鷗鷺諸曲，比之如近體律詩之與十九首。晉唐小楷之與鐘鼎文，各有其妙，難與並高\n耳。”觀周氏此語，則其推重可知。按此曲節短音長，古曠淵雅。非澄懷久彈，不能得其神韻。", "groups": [ { "type": "正文", "text": "\n一、凌虛引（宮調三段）\n宋毛仲翁所作，原本無詞。明人刻詞支離，與譜不稱。唯《聽真軒重校本》，尚爲雅正。金溪周氏云：“此曲寄興高遠，不落凡近，元音奧節，時出意表。良宵鷗鷺諸曲，比之如近體律詩之與十九首。晉唐小楷之與鐘鼎文，各有其妙，難與並高\n耳。”觀周氏此語，則其推重可知。按此曲節短音長，古曠淵雅。非澄懷久彈，不能得其神韻。", "block_ids": [ "sl:passage:v2.0ef422b843de5870348e2581c4da428c9bfd48fa652f283eec4d98cb17495b53:block:1", "sl:passage:v2.0ef422b843de5870348e2581c4da428c9bfd48fa652f283eec4d98cb17495b53:block:2", "sl:passage:v2.0ef422b843de5870348e2581c4da428c9bfd48fa652f283eec4d98cb17495b53:block:3" ] } ] }, { "id": "sl:division:v2.c77483b81f323f9979a19508f947dd693d7ebac207a20b5ae4822a3213cdd5a0", "ordinal": 28, "title": "二、風入松（角宮全章三轉）", "type": "節", "text": "二、風入松（角宮全章三轉）\n此曲譜錄所載，或云嵇康作，或云雍門周作。聆其音節，似非唐宋以後所制。明清各譜，均系小操。詞旨相同，惟明潞藩所刻長至數倍。而所配之詞，與曲意兩不相涉。或長短兩譜，一嵇一雍併存者耶！此雖短章，而音韻清蒼超俗。炎天鼓之，撫絃動操，令人冷然忘暑，亦小操中逸品也。", "groups": [ { "type": "正文", "text": "\n二、風入松（角宮全章三轉）\n此曲譜錄所載，或云嵇康作，或云雍門周作。聆其音節，似非唐宋以後所制。明清各譜，均系小操。詞旨相同，惟明潞藩所刻長至數倍。而所配之詞，與曲意兩不相涉。或長短兩譜，一嵇一雍併存者耶！此雖短章，而音韻清蒼超俗。炎天鼓之，撫絃動操，令人冷然忘暑，亦小操中逸品也。", "block_ids": [ "sl:passage:v2.c77483b81f323f9979a19508f947dd693d7ebac207a20b5ae4822a3213cdd5a0:block:1", "sl:passage:v2.c77483b81f323f9979a19508f947dd693d7ebac207a20b5ae4822a3213cdd5a0:block:2" ] } ] }, { "id": "sl:division:v2.0dd6c605950019f4b7dea93585594152c7d5311d04d51eabc6ff77034c01be3c", "ordinal": 29, "title": "三、春山聽杜鵑（正調緊二五七絃凡十三段）", "type": "節", "text": "三、春山聽杜鵑（正調緊二五七絃凡十三段）\n清初莊蝶庵，本諸蔡中郎遊春遺意而作。睹景物之佳麗，聽鵑聲之悽婉，知春光之將暮，嘆韶華之易逝。移宮換羽，寄懷徽桐，其亦古志士聞雞起舞之意乎！此曲以二絃爲宮，收音在七絃，故名清宮。莊氏新聲十譜中最爲精警者，唯第八段稍嫌冗復，僭易泛音數句，因十三段之曲僅有前後泛音兩段，似少變化。若中間加以泛音，頓覺空靈，於首尾亦頗相應也。", "groups": [ { "type": "正文", "text": "\n三、春山聽杜鵑（正調緊二五七絃凡十三段）\n清初莊蝶庵，本諸蔡中郎遊春遺意而作。睹景物之佳麗，聽鵑聲之悽婉，知春光之將暮，嘆韶華之易逝。移宮換羽，寄懷徽桐，其亦古志士聞雞起舞之意乎！此曲以二絃爲宮，收音在七絃，故名清宮。莊氏新聲十譜中最爲精警者，唯第八段稍嫌冗復，僭易泛音數句，因十三段之曲僅有前後泛音兩段，似少變化。若中間加以泛音，頓覺空靈，於首尾亦頗相應也。", "block_ids": [ "sl:passage:v2.0dd6c605950019f4b7dea93585594152c7d5311d04d51eabc6ff77034c01be3c:block:1", "sl:passage:v2.0dd6c605950019f4b7dea93585594152c7d5311d04d51eabc6ff77034c01be3c:block:2" ] } ] }, { "id": "sl:division:v2.0de9ca708c712c2880c9fd671381be918817e1e8139a346773f198617b6071ec", "ordinal": 30, "title": "四、長安一片月（清宮十三段）", "type": "節", "text": "四、長安一片月（清宮十三段）\n唐潘庭堅作，明清各譜，或名《秋砧》，或名《秋杵弄》，或名《搗衣》。唯四十年前所見，吾鄆先輩樊君抄本，名曰《長安一片月》，最爲允當。蓋此曲以“長安一片月，萬戶搗衣聲。春風吹不斷，總是玉關情。何日平胡虜？良人罷遠征”六句爲內容。閨中情況，因見一片之月，繫心萬里之人，動寄衣\n之深思，祝征途之勝利，願其克敵歸來，早現平等。雖多悽清之音，頗具悲壯之氣，毫無兒女情長，英雄氣短之態。故知前人制曲、命名，用意良深。若僅以搗衣爲名，則囫圇吞棗，實難得其要領。故照“春江花月夜，秋月照茅亭。山中憶故人，瑤島問長生”諸例，仍依樊本命名，而指法亦多參樊本，庶聽者顧名知意，易解曲情也。憶幼時，讀韓昌黎《穎師彈琴》詩，雖知其佳，而其中“呢昵兒女語，恩怨相爾汝。劃然變軒昂，勇士赴敵場。啾啾飛鳥羣，忽見孤鳳凰。浮雲柳絮無根蒂，天地遠隨飛揚”等語，實際殊難體會。及習彈此曲，始嘆韓詩狀物之工，非歐、蘇所能及也。一九五六年琴會邀彈此曲，並囑說明曲情。自慚衰遲，荒廢已久，昔年所習，大半遺忘，聊貢所知，充數而已。", "groups": [ { "type": "正文", "text": "\n四、長安一片月（清宮十三段）\n唐潘庭堅作，明清各譜，或名《秋砧》，或名《秋杵弄》，或名《搗衣》。唯四十年前所見，吾鄆先輩樊君抄本，名曰《長安一片月》，最爲允當。蓋此曲以“長安一片月，萬戶搗衣聲。春風吹不斷，總是玉關情。何日平胡虜？良人罷遠征”六句爲內容。閨中情況，因見一片之月，繫心萬里之人，動寄衣\n之深思，祝征途之勝利，願其克敵歸來，早現平等。雖多悽清之音，頗具悲壯之氣，毫無兒女情長，英雄氣短之態。故知前人制曲、命名，用意良深。若僅以搗衣爲名，則囫圇吞棗，實難得其要領。故照“春江花月夜，秋月照茅亭。山中憶故人，瑤島問長生”諸例，仍依樊本命名，而指法亦多參樊本，庶聽者顧名知意，易解曲情也。憶幼時，讀韓昌黎《穎師彈琴》詩，雖知其佳，而其中“呢昵兒女語，恩怨相爾汝。劃然變軒昂，勇士赴敵場。啾啾飛鳥羣，忽見孤鳳凰。浮雲柳絮無根蒂，天地遠隨飛揚”等語，實際殊難體會。及習彈此曲，始嘆韓詩狀物之工，非歐、蘇所能及也。一九五六年琴會邀彈此曲，並囑說明曲情。自慚衰遲，荒廢已久，昔年所習，大半遺忘，聊貢所知，充數而已。", "block_ids": [ 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"五、秋思\n《秋思》爲蔡氏五弄之一，當時曾傳太史令單颺，十七傳至我曹州趙耶利，耶利傳濮人馬氏，馬氏又傳宋孝臻。至白樂天亦習《秋思》，嘗云，博陵崔晦叔，琴韻甚清，蜀客姜發授《秋思》聲甚澹。元和中蕭佑精於琴，世稱其妙。呂夷簡詩云：“行年七十彈《秋思》，始覺胡笳兒女情。世上何人會此意，蒙陽太守是同聲。”天寶中薛易簡以琴待詔翰林。自九歲學琴，至十七歲亦彈《秋思》。後益苦心研習，周遊四方，聞有解者，必往求之。嘗謂“自古琴者，只工三兩弄，便有不朽之名。但能專精，固不以多彈爲貴。音韻雅正，可以感動幽冥。定神絕慮，情意專注。指不虛發，弦不誤鳴”。觀夷簡之意，則其得於琴者深矣。以上所引，見於《琴史》記載。可知《秋思》一曲，自漢迄宋，承傳不絕。今世所傳琴譜，《秋思》有二：一\n《洞庭秋思》，一《碧天秋思》。《洞庭秋思》爲毛敏仲之師郭楚望所作，確可考見。而《碧天》一曲是否中郎原作，雖不可知，而兩曲指法、音聲長短高下，迥不相侔。或後人欲別於《洞庭秋思》，故加“碧天”兩字。大抵曲愈古，味愈深，愈不易入手。及至入門之後，果能心手雙暢，則其韻味迥非宋明以後諸譜境界所能彷彿矣。郭氏生當南宋之初，其愛國憂世之意，往往於琴中見之。每彈此操，覺唐人詩所謂“洞庭西望楚江分，水盡天南不見雲。落日長沙秋色裏，欲從何處吊湘君”。情韻意景宛在目前。而《碧天》一操，情曠高遠，發人深省。須熟習久彈，方盡其妙，乃知非唐宋以後所爲。現代所存各譜，絕少明前刊本。就餘所能體會，灼然知其唐宋以前所作者，唯此與《雲竹偈》數種而已。要非好學深思、虛心精研者，未易言也。《洞庭》一曲系變調，用正調避一三六散音彈之，以《抄本》一經廬指法音節較優。《碧天》一曲，非遍參各譜，詳析對校，不能得其深處。唯世傳所謂《北秋思》者，音調最下，因其韻味短淺，過於促急悽楚，已失憂深思遠中和之旨，故無取焉。餘四十年前曾習此曲，海外歸來，輟奏者可十餘載。偶溫舊譜，指生荊棘。旬月以後，節拍漸諧。爰書所見，用告初學。丙子中秋", "groups": [ { "type": "正文", "text": "\n五、秋思\n《秋思》爲蔡氏五弄之一，當時曾傳太史令單颺，十七傳至我曹州趙耶利，耶利傳濮人馬氏，馬氏又傳宋孝臻。至白樂天亦習《秋思》，嘗云，博陵崔晦叔，琴韻甚清，蜀客姜發授《秋思》聲甚澹。元和中蕭佑精於琴，世稱其妙。呂夷簡詩云：“行年七十彈《秋思》，始覺胡笳兒女情。世上何人會此意，蒙陽太守是同聲。”天寶中薛易簡以琴待詔翰林。自九歲學琴，至十七歲亦彈《秋思》。後益苦心研習，周遊四方，聞有解者，必往求之。嘗謂“自古琴者，只工三兩弄，便有不朽之名。但能專精，固不以多彈爲貴。音韻雅正，可以感動幽冥。定神絕慮，情意專注。指不虛發，弦不誤鳴”。觀夷簡之意，則其得於琴者深矣。以上所引，見於《琴史》記載。可知《秋思》一曲，自漢迄宋，承傳不絕。今世所傳琴譜，《秋思》有二：一\n《洞庭秋思》，一《碧天秋思》。《洞庭秋思》爲毛敏仲之師郭楚望所作，確可考見。而《碧天》一曲是否中郎原作，雖不可知，而兩曲指法、音聲長短高下，迥不相侔。或後人欲別於《洞庭秋思》，故加“碧天”兩字。大抵曲愈古，味愈深，愈不易入手。及至入門之後，果能心手雙暢，則其韻味迥非宋明以後諸譜境界所能彷彿矣。郭氏生當南宋之初，其愛國憂世之意，往往於琴中見之。每彈此操，覺唐人詩所謂“洞庭西望楚江分，水盡天南不見雲。落日長沙秋色裏，欲從何處吊湘君”。情韻意景宛在目前。而《碧天》一操，情曠高遠，發人深省。須熟習久彈，方盡其妙，乃知非唐宋以後所爲。現代所存各譜，絕少明前刊本。就餘所能體會，灼然知其唐宋以前所作者，唯此與《雲竹偈》數種而已。要非好學深思、虛心精研者，未易言也。《洞庭》一曲系變調，用正調避一三六散音彈之，以《抄本》一經廬指法音節較優。《碧天》一曲，非遍參各譜，詳析對校，不能得其深處。唯世傳所謂《北秋思》者，音調最下，因其韻味短淺，過於促急悽楚，已失憂深思遠中和之旨，故無取焉。餘四十年前曾習此曲，海外歸來，輟奏者可十餘載。偶溫舊譜，指生荊棘。旬月以後，節拍漸諧。爰書所見，用告初學。丙子中秋", "block_ids": [ "sl:passage:v2.8819adc90875c45b286270e7c5a29f3294c6cfd3ddfa429847e1840043aa6df0:block:1", 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"sl:division:v2.870a2709a91d698c21c087ccd0348f397a04cd72f51ad76412e839708fdfc624", "ordinal": 33, "title": "琴訣", "type": "節", "text": "琴訣\n五音六律七條弦，一十三徽合天然。音色散泛按，變化百千端。初學調息運指，漸漸氣靜指堅。少上慢彈多聽勤煉，不急不怠要精專。一聲聲清麗而靜，一句句和潤而遠。果能到心手雙暢，自然得卻病延年。古人云無故不撤，的確有至理存焉。", "groups": [ { "type": "正文", "text": "\n琴訣\n五音六律七條弦，一十三徽合天然。音色散泛按，變化百千端。初學調息運指，漸漸氣靜指堅。少上慢彈多聽勤煉，不急不怠要精專。一聲聲清麗而靜，一句句和潤而遠。果能到心手雙暢，自然得卻病延年。古人云無故不撤，的確有至理存焉。", "block_ids": [ "sl:passage:v2.870a2709a91d698c21c087ccd0348f397a04cd72f51ad76412e839708fdfc624:block:1", "sl:passage:v2.870a2709a91d698c21c087ccd0348f397a04cd72f51ad76412e839708fdfc624:block:2" ] } ] }, { "id": "sl:division:v2.c60f213300f50ae28120f889d78ce0247de9098df9490cd53e54e74e1824047e", "ordinal": 34, "title": "琴硯篇（己亥，五九年）", "type": "節", "text": "琴硯篇（己亥，五九年）\n有人問我近十年以來，迭次捐獻文物，是何種數。賦此作答，並述所懷。\n我有晉、唐、明代三古琴，叩之泠然金石音。其一斷紋斑剝仲尼式，形狀依稀似雷氏。背有景炎元年文山所題詩，其時夜宿青原寺，距今六百八十又三載。誦詩鼓琴彷彿如見當日事，信知文字、聲音感人最深刻，能傳千古英雄烈士之遺志。琴已半殘我重修，一曲薰風解千愁。其二蕉葉號珍奇，三十載沉淪燕市知者稀。尾題洪武年間青田劉基斲，十三徽位篆書律呂嵌金絲。其輕如葉清如磬，信非伯溫莫能爲。六十年來所閱名琴近千張，似此百衲無底特品僅見之，材制俱異精且巧，可供文化歷史工業藝術作參考。其三混沌何人制，龍池內刻劉安世，宋代重修毛仲翁，清初再修周魯封。初藏白、駱兩女士，認爲宋琴黃鎮有題詞。經餘評審重鑑定，乃知確是晉琴無可疑。吁嗟乎！凡事不宜以耳代目憑皮相，從古奇材異寶不易辨\n識類如斯。復有玄機研，曾御宣和殿。宋之徽宗清純廟，君謨倪迂竹梧丹巖鐫題遍。元代清閟閣曾藏，清季流落蘊真堂。四十餘年爲我用，濡染翰墨髮古香。三琴一硯頗珍愛，撙衣節食不忍賣。私家收藏誰能久？公諸人民永存在。回憶一九五二年，曾向故宮作捐獻，李固殘碑魏造像，芋王玉印漢朝硯，元代畫硯青柯坪，唐宋雕刻木羅漢，復有海天歸硯圖，父子合作詩畫扇，更有五十七件捐濟南，三百件捐鄆城縣。以上各種譬如一粟投滄海，區區微物何足算？所幸此硯此琴從此歸國家，得與廣大羣衆常見面，以符我平素化私爲公之本願。\n弟子程寬錄校", "groups": [ { "type": "正文", "text": "\n琴硯篇（己亥，五九年）\n有人問我近十年以來，迭次捐獻文物，是何種數。賦此作答，並述所懷。\n我有晉、唐、明代三古琴，叩之泠然金石音。其一斷紋斑剝仲尼式，形狀依稀似雷氏。背有景炎元年文山所題詩，其時夜宿青原寺，距今六百八十又三載。誦詩鼓琴彷彿如見當日事，信知文字、聲音感人最深刻，能傳千古英雄烈士之遺志。琴已半殘我重修，一曲薰風解千愁。其二蕉葉號珍奇，三十載沉淪燕市知者稀。尾題洪武年間青田劉基斲，十三徽位篆書律呂嵌金絲。其輕如葉清如磬，信非伯溫莫能爲。六十年來所閱名琴近千張，似此百衲無底特品僅見之，材制俱異精且巧，可供文化歷史工業藝術作參考。其三混沌何人制，龍池內刻劉安世，宋代重修毛仲翁，清初再修周魯封。初藏白、駱兩女士，認爲宋琴黃鎮有題詞。經餘評審重鑑定，乃知確是晉琴無可疑。吁嗟乎！凡事不宜以耳代目憑皮相，從古奇材異寶不易辨\n識類如斯。復有玄機研，曾御宣和殿。宋之徽宗清純廟，君謨倪迂竹梧丹巖鐫題遍。元代清閟閣曾藏，清季流落蘊真堂。四十餘年爲我用，濡染翰墨髮古香。三琴一硯頗珍愛，撙衣節食不忍賣。私家收藏誰能久？公諸人民永存在。回憶一九五二年，曾向故宮作捐獻，李固殘碑魏造像，芋王玉印漢朝硯，元代畫硯青柯坪，唐宋雕刻木羅漢，復有海天歸硯圖，父子合作詩畫扇，更有五十七件捐濟南，三百件捐鄆城縣。以上各種譬如一粟投滄海，區區微物何足算？所幸此硯此琴從此歸國家，得與廣大羣衆常見面，以符我平素化私爲公之本願。\n弟子程寬錄校", "block_ids": [ "sl:passage:v2.c60f213300f50ae28120f889d78ce0247de9098df9490cd53e54e74e1824047e:block:1", "sl:passage:v2.c60f213300f50ae28120f889d78ce0247de9098df9490cd53e54e74e1824047e:block:2", "sl:passage:v2.c60f213300f50ae28120f889d78ce0247de9098df9490cd53e54e74e1824047e:block:3", "sl:passage:v2.c60f213300f50ae28120f889d78ce0247de9098df9490cd53e54e74e1824047e:block:4", 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